|Native to||Ancient Etruria|
|Era||700 BC to 1st century AD|
The Etruscan language /ɨˈtrʌskən/ was spoken and written by the Etruscan civilization, in what is present-day Italy, in the ancient region of Etruria (modern Tuscany plus western Umbria and northern Latium) and in parts of Lombardy, Veneto, and Emilia-Romagna (where the Etruscans were displaced by Gauls). Etruscan was superseded completely by Latin, leaving only a few documents and some loanwords in Latin like Roma (from Etruscan Ruma).
History of Etruscan literacy
Etruscan literacy was widespread over the Mediterranean shores, as evidenced by about 13,000 inscriptions (dedications, epitaphs, etc.), most fairly short, but some of considerable length. They date from about 700 BC.
The Etruscans had a rich literature, as noted by Latin authors. However, only one book (mostly undeciphered) has survived. By AD 100, Etruscan had been replaced by Latin.
Only a few educated Romans with antiquarian interests, such as Varro, could read Etruscan. The last person known to have been able to read Etruscan was the Roman emperor Claudius (10 BC – AD 54), the author of a treatise in twenty volumes on the Etruscans, Tyrrenikà (now lost), who compiled a dictionary (also lost) by interviewing the last few elderly rustics who still spoke the language. Urgulanilla, the emperor's first wife, was Etruscan.
Livy and Cicero were both aware that highly specialized Etruscan religious rites were codified in several sets of books written in Etruscan under the generic Latin title Etrusca Disciplina. The Libri Haruspicini dealt with divination from the entrails of the sacrificed animal, while the Libri Fulgurales expounded the art of divination by observing lightning. A third set, the Libri Rituales, might have provided a key to Etruscan civilization: its wider scope embraced Etruscan standards of social and political life as well as ritual practices. According to the 4th century Latin writer Servius, a fourth set of Etruscan books existed, dealing with animal gods, but it is unlikely that any scholar living in the 4th century could have read Etruscan. The single extant Etruscan book, Liber Linteus, which was written on linen, survived only because it was used as mummy wrappings.
Etruscan had some influence on Latin, as a few dozen Etruscan words and names were borrowed by the Romans, some of which remain in modern languages.
Inscriptions have been found in north-west and west-central Italy, in the region that even now bears the name of the Etruscans, Tuscany (from Latin tuscī "Etruscans"), as well as in modern Latium north of Rome, in today's Umbria west of the Tiber, around Capua in Campania and in the Po valley to the north of Etruria. This range may indicate a maximum Italian homeland where the language was at one time spoken.
An inscription found on Lemnos in 1886, is in an alphabet practically identical to that of Etruscan.
The Etruscan language has been difficult to analyze, due to its being an isolate. Bonfante, a leading scholar in the field, says "... it resembles no other language in Europe or elsewhere ...." The ancients were aware that Etruscan was an isolate. In the 1st century BC, the Greek historian Dionysius of Halicarnassus stated that the Etruscan language was unlike any other.
The phonology is known through the alternation of Greek and Etruscan letters in some inscriptions (for example, the Iguvine Tables), and many individual words are known through loans into or from Greek and Latin, as well as explanations of Etruscan words by ancient authors. A few concepts of word formation have been formulated (see below). Modern knowledge of the language is incomplete.
The majority consensus is that Etruscan is related only to other members of what is called the Tyrsenian language family, an "isolate family": a family of languages for which no relationship to other language groups is known (see Language isolate). Since Rix (1998), it is widely accepted that the Tyrsenian family of languages is composed of Rhaetic and Lemnian together with Etruscan.
Another Aegean language which is possibly related to Etruscan is Minoan. The idea of a relation between the language of the Aegean Linear scripts was taken into consideration as the main hypothesis by Michael Ventris before he discovered that in fact the language behind the later Linear B script was Mycenean, a Greek dialect. Giulio Mauro Facchetti, a researcher who has dealt with both Etruscan and Minoan, put forward this hypothesis again, comparing some Minoan words of known meaning with similar Etruscan words.
More recently, Robert S.P. Beekes argued that the people later known as the Lydians and Etruscans had originally lived in northwest Anatolia, with a coastline to the Sea of Marmara, whence they were driven by the Phrygians c. 1200 BC, leaving a remnant known in antiquity as the Tyrsenoi. A segment of this people moved south-west to Lydia, becoming known as the Lydians, while others sailed away to take refuge in Italy, where they became known as Etruscans.
In 2006, Frederik Woudhuizen suggested that Etruscan belongs to the Anatolian branch of the Indo-European family, specifically to Luwian. Woudhuizen revived a conjecture to the effect that the Tyrsenians came from Anatolia, including Lydia, whence they were driven by the Cimmerians in the early Iron Age, 750–675 BC, leaving some colonists on Lemnos. He makes a number of comparisons of Etruscan to Luwian and asserts that Etruscan is modified Luwian. He accounts for the non-Luwian features as a Mysian influence: "deviations from Luwian ... may plausibly be ascribed to the dialect of the indigenous population of Mysia." According to Woudhuizen, the Etruscans were colonizing the Latins. The Etruscans brought the alphabet from Anatolia.
Both of these accounts draw on the story by Herodotus (i, 94) of the Lydian origin of the Etruscans. Dionysius of Halicarnassus (book 1) rejected this account of the people he called the Tyrrhenians, partly on the authority of Xanthus, a Lydian historian, who had no knowledge of the story, and partly on what he judged to be the different languages, laws, and religions of the two peoples.
Various other speculative proposals have been made, all of them failing to gain wide acceptance because no significant proof of the proposed connections has been found.
The interest in Etruscan antiquities and the mysterious Etruscan language found its modern origin in a book by a Dominican friar, Annio da Viterbo (d. 1502), the cabalist and orientalist, now remembered mainly for literary forgeries. He guided Pinturicchio's allegorical frescoes for Pope Alexander VI's Vatican apartments. In 1498, Annio published his antiquarian miscellany titled Antiquitatum variarum (in 17 volumes) where he put together a fantastic theory in which both the Hebrew and Etruscan languages were said to originate from a single source, the "Aramaic" spoken by Noah and his descendants, founders of Etruscan Viterbo. Annio also started to excavate Etruscan tombs, unearthing sarcophagi and inscriptions, and made a bold attempt at deciphering the Etruscan language.
The theory of the Semitic origins still found its supporters in 19th century scholarship. In 1858, the last attempt was made by Johann Gustav Stickel, Jena University: "Das Etruskische (...) als Semitische Sprache erwiesen". A reviewer concluded that Stickel brought forward every possible argument which would speak for that hypothesis, but he proved the opposite of what he had attempted to do (Johannes Gildemeister in ZDMG 13, 1859, 289–304).
An Ural–Altaic connection with the Etruscan language has also been proposed. The French orientalist Baron Carra de Vaux had suggested a connections between Etruscan and Altaic languages. In 1874, the British priest Isaac Taylor brought up the idea of a genetic relationship between Etruscan and Hungarian. This Hungarian connection was further developed recently by linguist Prof. Mario Alinei, Emeritus Professor of Italian Languages at the University of Utrecht: Etrusco: una forma arcaica di ungherese, (2003) Bologna, Il Mulino. Alinei's proposal has been rejected by Etruscan experts such as Giulio M. Facchetti, Finno-Ugric experts such as A. Marcantonio, and by Hungarian historical linguists such as Bela Brogyanyi.
In 1861, Robert Ellis proposed that Etruscan was related to Armenian, which is nowadays acknowledged as an Indo-European language. Some scholars also see in Urartian art, architecture, language, and general culture traces of kinship to the Etruscans of the Italian peninsula.
The Latin script owes its existence to the Etruscan alphabet, which was adapted for Latin in the form of the Old Italic alphabet. The Etruscan alphabet employs a Euboean variant of the Greek alphabet using the letter digamma and was in all probability transmitted through Pithecusae and Cumae, two Euboean settlements in southern Italy. This system is ultimately derived from West Semitic scripts.
The Etruscans recognized a 26-letter alphabet, which they used in and of itself for decoration on some objects such as the "rooster ink-stand". This has been termed the model alphabet. They did not use four letters of it, mainly because Etruscan had no voiced stops, b, d and g, and also no o. They innovated one letter for f.
Writing was from right to left except in archaic inscriptions, which occasionally used boustrophedon. An example found at Cerveteri used left to right. In the earliest inscriptions, the words are continuous. From the 6th century BC, they are separated by a dot or a colon, which symbol might also be used to separate syllables. Writing was phonetic; the letters represented the sounds and not conventional spellings. On the other hand, many inscriptions are highly abbreviated and often casually formed, so the identification of individual letters is sometimes difficult. Spelling might vary from city to city, probably reflecting differences of pronunciation.
Complex consonant clusters
Speech featured a heavy stress on the first syllable of a word, causing syncopation by weakening of the remaining vowels, which then were not represented in writing: Alcsntre for Alexandros, Rasna for Rasena. This speech habit is one explanation of the Etruscan "impossible consonant clusters." The resonants, however, may have been syllabic, accounting for some of the clusters (see below under Consonants). In other cases, the scribe sometimes inserted a vowel: Greek Hēraklēs became Hercle by syncopation and then was expanded to Herecele. Pallottino regarded this variation in vowels as "instability in the quality of vowels" and accounted for the second phase (e.g. Herecele) as "vowel harmony, i.e., of the assimilation of vowels in neighboring syllables ...."
The writing system had two historical phases: the archaic from the 7th to 5th century BC, which used the early Greek alphabet, and the later from the 4th to 1st century BC, which modified some of the letters. In the later period, syncopation increased.
The alphabet went on in modified form after the language disappeared. In addition to being the source of the Roman alphabet, it has been suggested that it passed northward into Venetia and from there through Raetia into the Germanic lands, where it became the Elder Futhark alphabet, the oldest form of the runes.
The Pyrgi Tablets are a bilingual text in Etruscan and Phoenician engraved on three gold leaves, one for the Phoenician and two for the Etruscan. The Etruscan language portion has 16 lines and 37 words. The date is roughly 500 BC.
According to Rix and his collaborators only two unified (though fragmentary) texts are available in Etruscan:
- The Liber Linteus, which was later used for mummy wrappings in Egypt. Roughly 1200 words of readable text, mainly repetitious prayers, yielded about 50 lexical items.
- The Tabula Capuana (the inscribed tile from Capua). About 300 readable words in 62 lines, dating to the 5th century BC.
Some additional longer texts are:
- The lead foils of Punta della Vipera, about 40 legible words having to do with ritual formulae. Dated to about 500 BC.
- The Cippus Perusinus, a stone slab (cippus) found at Perugia. Contains 46 lines, 130 words.
- The Tabula Cortonensis, a bronze tablet from Cortona believed to record a legal contract. About 200 words.
- The Piacenza Liver, a bronze model of a sheep's liver representing the sky, with the engraved names of the gods ruling different sections.
Inscriptions on monuments
The main material repository of Etruscan civilization, from the modern perspective, was its tombs. Public and private buildings were dismantled and the stone reused centuries ago. The tombs are the main source of portables in collections throughout the world, provenance unknown. The Etruscans' objets d'art are of incalculable value, causing a brisk black market and equally brisk law enforcement effort, as it is against the law to remove objects from Etruscan tombs unless authorized by the Italian government.
The total number of tombs is unknown due to the magnitude of the task of cataloguing them. They are of many different types. Especially fruitful are the hypogeal or "underground" chamber or system of chambers cut into tuff and covered by a tumulus. The interior of the tomb represents a habitation of the living stocked with furniture and favorite objects. The walls may display painted murals, the predecessor of wallpaper. Tombs identified as Etruscan date from the Villanovan period to about 100 BC, when presumably the cemeteries were abandoned in favor of Roman ones. Some of the major cemeteries are as follows:
- Caere or Cerveteri, a UNESCO site. Three complete necropoleis with streets and squares. Many hypogea are concealed beneath tumuli retained by walls; others are cut into cliffs. The Banditaccia necropolis contains more than 1000 tumuli. Access is through a door.
- Tarquinia, Tarquinii or Corneto, a UNESCO site. Approximately 6000 graves dating from the Villanovan (9th & 8th centuries BC) distributed in necropoleis, the main one being the Monterozzi hypogea of the 6th–4th centuries BC. About 200 painted tombs display murals of various scenes with call-outs and descriptions in Etruscan. Elaborately carved sarcophagi of marble, alabaster and nenfro include identificatory and achievemental inscriptions. The Tomb of Orcus at the Scatolini necropolis depicts scenes of the Spurinna family with call-outs.
- Inner walls and doors of tombs and sarcophagi.
- Engraved steles (tombstones)
Inscriptions on portable objects
See Votive gifts.
A speculum is a circular or oval hand-mirror used predominantly by Etruscan women. Speculum is Latin; the Etruscan word is malena or malstria. Specula were cast in bronze as one piece or with a tang into which a wooden, bone or ivory handle fitted. The reflecting surface was created by polishing the flat side. A higher percentage of tin in the mirror improved its ability to reflect. The other side was convex and featured intaglio or cameo scenes from mythology. The piece was generally ornate.
About 2300 specula are known from collections all over the world. As they were popular plunderables, the provenance of only a minority is known. An estimated time window is 530–100 BC. Most probably came from tombs.
Many bear inscriptions naming the persons depicted in the scenes, for which reason they are often called picture bilinguals. In 1979, Massimo Pallottino, then president of the Istituto di Studi Etruschi ed Italici initiated the Committee of the Corpus Speculorum Etruscanorum (CSE), which resolved to publish all the specula and set editorial standards for doing so.
Since then the committee has grown, acquiring local committees and representatives from most institutions owning Etruscan mirror collections. Each collection is published in its own fascicle by diverse Etruscan scholars.
A cista is a bronze container of circular, ovoid or more rarely rectangular shape used by women for the storage of sundries. They are ornate, often with feet and lids to which figurines may be attached. The internal and external surfaces bear carefully crafted scenes usually from mythology, usually intaglio, rarely part intaglio, part cameo.
Cistae date from the Roman Republic of the 4th and 3rd centuries BC in Etruscan contexts. They may bear various short inscriptions concerning the manufacturer or owner or subject matter. The writing may be Latin, Etruscan or both.
Excavations at Praeneste, an Etruscan city which became Roman, turned up about 118 cistae, one of which has been termed "the Praeneste cista" or "the Ficoroni cista" by art analysts, with special reference to the one manufactured by Novios Plutius and given by Dindia Macolnia to her daughter, as the archaic Latin inscription says. All of them are more accurately termed "the Praenestine cistae."
Rings and ringstones
Among the most plunderable portables from the Etruscan tombs of Etruria are the finely engraved gemstones set in patterned gold to form circular or ovoid pieces intended to go on finger rings. Of the magnitude of one centimeter, they are dated to the Etruscan floruit from the 2nd half of the 6th to the 1st centuries BC. The two main theories of manufacture are native Etruscan and Greek.
The materials are mainly dark red carnelian, with agate and sard entering usage from the 3rd to the 1st centuries BC, along with purely gold finger rings with a hollow engraved bezel setting. The engravings, mainly cameo, but sometimes intaglio, depict scarabs at first and then scenes from Greek mythology, often with heroic personages called out in Etruscan. The gold setting of the bezel bears a border design, such as cabling.
Etruscan-minted coins can be dated between 500 and 200 BC. Use of the Euboïc-Syracusan standard, based on the silver litra of 13.5 grams maximum, indicates the custom, like the alphabet, came from Greece. Roman coinage later supplanted Etruscan, but the basic Roman coin, the sesterce, is believed to have been based on the 2.5 denomination Etruscan coin. Etruscan coins have turned up in caches or individually in tombs and in excavations seemingly at random, concentrated, of course, in Etruria.
Etruscan coins were in gold, silver and bronze, the gold and silver usually having been struck on one side only. The coin bore a denomination, a minting authority name, and a cameo motif. Gold denominations were in units of silver; silver, in units of bronze. Full or abbreviated names are mainly Pupluna (Populonia), Vatl or Veltuna (Vetulonia), Velathri (Volaterrae), Velzu or Velznani (Volsinii) and Cha for Chamars (Camars). Insignia are mainly heads of mythological characters or depictions of mythological beasts arranged in a symbolic motif: Apollo, Zeus, Janus, Athena, Hermes, griffin, gorgon, sphinx, hippocamp, bull, snake, eagle, or other creatures who had symbolic significance.
In the tables below, conventional letters used for transliterating Etruscan are accompanied by likely pronunciation in IPA symbols within the square brackets, followed by examples of the early Etruscan alphabet which would have corresponded to these sounds:
The Etruscan vowel system consisted of four distinct vowels. Vowels "o" and "u" appear to have not been phonetically distinguished based on the nature of the writing system, as only one symbol is used to cover both in loans from Greek (e.g. Greek κώθων kōthōn > Etruscan qutun "pitcher").
Table of consonants
|c, k, q
Voiced stops missing
The Etruscan consonant system primarily distinguished between aspirated and non-aspirated stops. There were no voiced stops and loanwords with them were typically devoiced, e.g. Greek thriambos was borrowed by Etruscan, becoming triumpus and triumphus in Latin.
Based on standard spellings by Etruscan scribes of words without vowels or with unlikely consonant clusters (e.g. cl 'of this (gen.)' and lautn 'freeman'), it is likely that /m n l r/ were sometimes syllabic sonorants (cf. English "little", "button"). Thus cl /kl̩/ and lautn /ˈlɑwtn̩/.
Rix postulates several syllabic consonants, namely /l, r, m, n/ and palatal /lʲ, rʲ, nʲ/ as well as a labiovelar spirant /xʷ/ and some scholars such as Mauro Cristofani also view the aspirates as palatal rather than aspirated but these views are not shared by most Etruscologists. Rix supports his theories by means of variant spellings such as amφare/amφiare, larθal/larθial, aranθ/aranθiia.
Etruscan was inflected, varying the endings of nouns, pronouns and verbs. It also had adjectives, adverbs, and conjunctions, which were uninflected.
Etruscan substantives had five cases, a singular and a plural. Not all five cases are attested for every word. Nouns merge the nominative and accusative; pronouns do not generally merge these. Gender appears in personal names (masculine and feminine) and in pronouns (animate, or either masculine and feminine, and inanimate or neuter); otherwise, it is not marked.
Unlike the Indo-European languages, Etruscan noun endings were more agglutinative, with some nouns bearing two or three agglutinated suffixes. For example, where Latin would have distinct nominative plural and dative plural endings, Etruscan would suffix the case ending to a plural marker: Latin nominative singular fili-us, "son", plural fili-i, dative plural fili-is, but Etruscan clan, clen-ar and clen-ar-aśi. Moreover, Etruscan nouns could bear multiple suffixes from the case paradigm alone: that is, Etruscan exhibited Suffixaufnahme. Pallottino calls this phenomenon "morphological redetermination", which he defines as "the typical tendency ... to redetermine the syntactical function of the form by the superposition of suffices." His example is Uni-al-θi, "in the sanctuary of Juno", where -al is a genitive ending and -θi a locative.
Steinbauer says of Etruscan that "there can be more than one marker ... to design a case, and ... the same marker can occur for more than one case."
No distinction is made between nominative and accusative of nouns. Common nouns use the unmarked root. Names of males may end in -e: Hercle (Hercules), Achle (Achilles), Tite (Titus); of females, in -i, -a or -u: Uni (Juno), Menrva (Minerva), Zipu. Names of gods may end in -s: Fufluns, Tins; or they may be the unmarked stem ending in a vowel or consonant: Aplu (Apollo), Paχa (Bacchus), Turan.
Pallottino defines two declensions based on whether the genitive ends in -s/-ś or -l. In the -s group are most noun stems ending in a vowel or a consonant: fler/fler-ś, ramtha/ramtha-ś. In the second are names of females ending in i and names of males that end s, th or n: ati/ati-al, Laris/Laris-al, Arnθ/Arnθ-al. After l or r -us instead of -s appears: Vel/Vel-us. Otherwise a vowel might be placed before the ending: Arnθ-al instead of Arnθ-l.
There is a patronymic ending: -sa or -isa, "son of", but the ordinary genitive might serve that purpose. In the genitive case morphological redetermination becomes elaborate. Given two male names, Vel and Avle, Vel Avleś means "Vel son of Avle." This expression in the genitive become Vel-uś Avles-la. Pallottino's example of a three-suffix form is Arnth-al-iśa-la.
In one case, a plural is given for clan, "son", as clenar, "sons". This shows both umlaut and an ending -ar. Plurals for cases other than nominative are made by agglutinating the case ending on clenar.
Personal pronouns refer to persons; demonstrative point out: English this, that.
The first person personal pronoun has a nominative mi ("I") and an accusative mini ("me"). (The coincidence of this with Indo-European forms such as English me proves nothing, as many languages from around the world use a form beginning with m for first person.) The third person has a personal form an ("he" or "she") and an inanimate in ("it"). The second person is uncertain but some like the Bonfantes have claimed a dative singular une ("to thee") and an accusative singular un ("thee").
The demonstratives, ca and ta, are used without distinction. The nominative–accusative singular forms are: ica, eca, ca, ita, ta; the plural: cei, tei. There is a genitive singular: cla, tla, cal and plural clal. The accusative singular: can, cen, cn, ecn, etan, tn; plural cnl. Locative singular: calti, ceiθi, clθ(i), eclθi; plural caiti, ceiθi.
Though uninflected, adjectives fall into a number of types formed from nouns with a suffix:
- quality, -u, -iu or -c: ais/ais-iu, "god/divine"; zamaθi/zamθi-c, "gold/golden."
- possession or reference, -na, -ne, -ni: paχa/paχa-na, "Bacchus, Bacchic"; laut/laut-ni, "family/familiar" (in the sense of servant)
- collective, -cva, -chva, -cve, -χve, -ia: sren/sren-cva: "figure/figured"; etera/etera-ia, "slave/servile"
Adverbs are unmarked: etnam, "again"; θui, "now"; θuni, "at first." Most Indo-European adverbs are formed from the oblique cases, which become unproductive and descend to fixed forms. Cases such as the ablative are therefore called "adverbial." If there is any such system in Etruscan it is not obvious from the relatively few surviving adverbs.
Etruscan uses a verbal root with a zero suffix or -a without distinction to number or person: ar, ar-a, "he, she, we, you, they make."
Past or preterite active
The -ce or -ke suffix to the root produces a third person singular active, which has been called variously a "past", a "preterite" or an "aorist." In contrast to Indo-European, this form is not marked for aspect, nor are the roots, apparently, distinguished for their aspect; they are simply actions that went on in the past. Examples: tur/tur-ce, "gives/gave"; sval/sval-ce, "lives/lived."
The third person past passive is formed with -che: mena/mena-ce/mena-che, "offers/offered/was offered."
Only a few hundred words of the Etruscan vocabulary are known with some certainty. The exact count depends on whether the different forms and the expressions are included. Below is a table of some of the words grouped by topic.
Some words with corresponding Latin or other Indo-European forms are likely loanwords to or from Etruscan. For example, neftś "nephew", is probably from Latin (Latin nepōs, nepōtis; this is a cognate of German Neffe, Old Norse nefi). A number of words and names for which Etruscan origin has been proposed survive in Latin.
At least one word has an apparent Semitic origin: talitha "girl" (Aramaic; could have been transmitted by Phoenicians).
The Etruscan numerals are known although debate lingers about which numeral means "four" and which "six" (huθ or śa). Numerals are listed in their own article. Of them, and of the basic words in general, Bonfante (1990) says: "What these numerals show, beyond any shadow of a doubt, is the non-Indo-European nature of the Etruscan language. Basic words like numbers and names of relationships are often similar in the Indo-European languages, for they derive from the same root." Numbers in Indo-European languages (and even in a few heavily-influenced non-Indo-European languages) are uniformly descended from the Proto-Indo-European numbers: oynos/sem, duwō, treyes, kwetwores, penkwe, sweks, septm, oktō, newn, dekm.
The Etruscan numbers are (Bonfante 2002:96):
- zal (esal)
- śa (6?)
- huth (4?)
- semph (?)
- nurph (?)
- Combinatorial method (linguistics)
- Corpus Inscriptionum Etruscarum
- Etruscan alphabet
- Etruscan civilization
- Etruscan documents
- Etruscan mythology
- Etruscan numerals
- Lemnian language
- List of English words of Etruscan origin
- List of Spanish words of Etruscan origin
- Pre-Greek substrate
- Raetic language
- Robert S. P. Beekes
- Tyrsenian languages
- Laurie Bauer, 2007, The Linguistics Student’s Handbook, Edinburgh
- Bonfante (1990), page 12
- Bonfante (1990) page 10.
- For Urgulanilla, see Suetonius, Life of Claudius, Section 26.1; for the 20 books, same work, Section 42.2.
- A summary of the locations of the inscriptions published in the EDP project, given below under External links, is stated in its Guide.
- G. M. Facchetti (2001) "Qualche osservazione sulla lingua minoica" Kadmos 40/1, p. 1–38.
- For example, Steinbauer (1999).
- R.S.P. Beekes, The Origin of the Etruscans, Biblioteca Orientalis vol. 59 (2002), pp. 206–242.
- Woudhuizen, Frederik Christiaan (2006). The Ethnicity of the Sea Peoples. Rotterdam: Erasmus Universiteit. p. 139.
- Page 83.
- Robertson, Ed (2006). Etruscan's genealogical linguistic relationship with Nakh–Daghestanian: a preliminary evaluation (PDF). Retrieved 2009-07-13.
- Starostin, Sergei; Orel, Vladimir (1989). "Etruscan and North Caucasian". In Shevoroshkin, Vitaliy. Explorations in Language Macrofamilies. Bochum Publications in Evolutionary Cultural Semiotics (23). Bochum.
- Stickel, Johann Gustav (1858). Das Etruskische durch Erklärung von Inschriften und Namen als semit. Sprache erwiesen. Verlag Wilhelm Engelmann.
- G. M. Facchetti The Interpretation of Etruscan Texts and its Limits, Journal of Indo-European Studies, 33, 3/4, 2005, 359–388: says (pp. 371) ""suffice it to say that Alinei clears away all the combinatory work done on Etruscan (for grammar specially) to try to make Uralic inflections fit without ripping the seams. He completely ignores the aforesaid recent findings in phonology (and phoneme/grapheme relationships), returning to the obsolete but convenient theory that the handwriting changed and orthography was not consolidated"
- Associated Professor of Historical Linguistics and Finno-Ugric Studies at the University of Rome "La Sapienza" 
- Angela Marcantonio (2004): "Un caso di ‘fantalinguistica’. A proposito di Mario Alinei: “Etrusco: una forma arcaica di ungherese”. Studi e Saggi Linguistici XLII /173–200, where Marcantonio states that "La tesi dell’Alinei è da rigettare senza alcuna riserva" ("Alinei's thesis must be rejected without any reservation"), criticizes his methodology and the fact that he ignored the comparison with Latin and Greek words in Onomastic and institutional vocabulary. Large quotes can be read at Melinda Tamás-Tarr "SULLA SCRITTURA DEGLI ETRUSCHI «Ma è veramente una scrittura etrusca»? Cosa sappiamo degli Etruschi III" OSSERVATORIO LETTERARIO Ferrara e l’Altrove X/XI NN. 53/54 NOV.–DIC./GEN.-FEBB 2006/2007, 67–73.
- B. Brognyanyi "Die ungarische alternative Sprachforschung und ihr ideologischer Hintergrund – Versuch einer Diagnose" Sprache & Sprachen 38 (2008), 3-15, who claims that Alinei shows a complete ignorance on Etruscan and Hungarian ("glänzt er aber durch völlige Unkenntnis des Ungarischen und Etruskischen (vgl. Alinei 2003)") and that the thesis of a relation between Hungarian and Etruscan languages deserves no attention.
- Robert Ellis, The Armenian origin of the Etruscans, London: Parker, Son, & Bourn, 1861.
- Vahan M. Kurkjian (2006). History of Armenia. University of Pennsylvania Museum of Archaeology.
- Zacharie Mayani, The Etruscans Begin to Speak, 1961, Trans. Patrick Evans, London: Souvenir Press, 1962.
- The alphabet can also be found with alternative forms of the letters at Omniglot.
- Bonfante (1990) chapter 2.
- Rooster ink-stand at Etruscan Art Virtual Museum.
- Bonfantes (2002) page 55.
- The Bonfantes (2002) page 56.
- Page 261
- The Bonfantes (2002), page 117 following.
- The Bonfantes (2002) page 58.
- Brief description and picture at The principle discoveries with Etruscan inscriptions, article published by the Borough of Santa Marinella and the Archaeological Department of Southern Etruria of the Italian government.
- Some Internet articles on the tombs in general are:
Etruscan Tombs at mysteriousetruscans.com.
Scientific Tomb-Robbing, article in Time, Monday, Feb. 25, 1957, displayed at www.time.com.
Hot from the Tomb: The Antiquities Racket, article in Time, Monday, Mar. 26, 1973, displayed at www.time.com.
- Refer to Etruscan Necropoleis of Cerveteri and Tarquinia, a World Heritage site.
- Some popular Internet sites giving photographs and details of the necropolis are: Cisra (Roman Caere / Modern Cerveteri) at mysteriousetruscans.com.
Chapter XXXIII CERVETRI.a – AGYLLA or CAERE., George Dennis at Bill Thayer's Website.
Aerial photo and map at mapsack.com.
- A history of the tombs at Tarquinia and links to descriptions of the most famous ones is given at  on mysteriousetruscans.com.
- For pictures and a description refer to the Etruscan Mirrors article at mysteriousetruscans.com.
- For the dates, more pictures and descriptions, see the Hand Mirror with the Judgment of Paris article published online by the Allen Memorial Art Museum of Oberlin College.
- Representative examples can be found in the U.S. Epigraphy Project site of Brown University: , 
- Paggi, Maddalena. "The Praenestine Cistae" (October 2004), New York: The Metropolitan Museum of Art, in Timeline of Art History.
- Classic Encyclopedia.
- Beazley Archive.
- Ancient Coins of Etruria.
- J.H. Adams pages 163–164.
- Bonfante (1990), page 20.
- Bonfante (1990) page 19.
- Page 263.
- Etruscan Grammar: Summary at Steinbauer's website.
- Page 264.
- Pallottino page 114, Bonfante (1990) page 41.
- The summary in this section is taken from the tables of the Bonfantes (2002) pages 91–94, which go into considerably more detail, citing examples.
- The words in this table come from the Glossaries of Bonfante (1990) and Pallottino. The latter also gives a grouping by topic on pages 275 following, the last chapter of the book.
- Page 22.
- Adams, J. N. (2003). Bilingualism and the Latin Language. Cambridge University Press. ISBN 0-521-81771-4. Available for preview on Google Books.
- Bonfante, Giuliano; Bonfante, Larissa (2002). The Etruscan Language: an Introduction. Manchester: University of Manchester Press. ISBN 0-7190-5540-7. Preview available on Google Books.
- Bonfante, Larissa (1990). Etruscan. Berkeley and Los Angeles: University of California Press. ISBN 0-520-07118-2. Preview available at Google Books.
- Cristofani, Mauro; et al. (1984). Gli Etruschi: una nuova immagine. Firenze, Giunti Martello.
- Cristofani, Mauro (1979). The Etruscans: A New Investigation (Echoes of the ancient world). Orbis Pub. ISBN 0-85613-259-4.
- Facchetti, Giulio M. (2000). L'enigma svelato della lingua etrusca. Roma: Newton & Compton. ISBN 978-88-8289-458-0.
- Facchetti, Giulio M. (2002). Appunti di morfologia etrusca. Con un'appendice sulle questioni delle affinità genetiche dell'etrusco. Roma: Olshcki. ISBN 978-88-222-5138-1.
- Pallottino, Massimo (1955). The Etruscans. Penguin Books. Translated from the Italian by J. Cremona.
- Rix, Helmut (1991). Etruskische Texte. G. Narr. ISBN 3-8233-4240-1. 2 vols.
- Steinbauer, Dieter H. (1999). Neues Handbuch des Etruskischen. Scripta Mercaturae. ISBN 3-89590-080-X.
- Wallace, Rex E. (2008). Zikh Rasna: A Manual of the Etruscan Language and Inscriptions. Beech Stave Press. ISBN 978-0-9747927-4-3.
- Woudhuizen, Frederik Christiaan. April 2006. The Ethnicity of the Sea Peoples. Doctoral dissertation; Rotterdam: Erasmus Universiteit Rotterdam, Faculteit der Wijsbegeerte.
|Wikimedia Commons has media related to: Etruscan language|
- Etruscan News Online, the Newsletter of the American Section of the Institute for Etruscan and Italic Studies.
- Etruscan News back issues, Center for Ancient Studies at New York University.
- Etruscology at Its Best, the website of Dr. Dieter H. Steinbauer, in English. Covers origins, vocabulary, grammar and place names.
- Viteliu: The Languages of Ancient Italy via web.archive.org.
- The Etruscan Language, the linguistlist.org site. Links to many other Etruscan language sites.
- ETP: Etruscan Texts Project A searchable database of Etruscan texts.
- Etruscan Inscriptions in the Royal Ontario Museum, article by Rex Wallace displayed at the umass.edu site.
- Etruscan Vocabulary, a vocabulary organized by topic by Dieter H. Steinbauer, in English.
- An Etruscan Vocabulary via web.archive.org. A short, one-page glossary with numerals as well.
- Etruscan–English Dictionary via archive.org. An extensive lexicon compiled from other lexicon sites. Links to the major Etruscan glossaries on the Internet are included.
- Paleoglot: Online Etruscan-English dictionary; summary of Etruscan grammar. A searchable Etruscan-to-English dictionary applet and a summary of Etruscan grammar.
- Etruscan and Early Italic Fonts, download site by James F. Patterson at webspace.utexas.edu.
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