Armenian dance

      Part of a series on
      Armenians Հայեր
      Armenian culture
      Architecture · Art
      Cuisine · Dance · Dress
      Literature · Music  · History
      By country or region
      Armenia · Nagorno-Karabakh Republic
      See also Nagorno-Karabakh
      Armenian diaspora
      Russia · France
      United States · Iran · Georgia
      Azerbaijan · Argentina · Brazil
      Lebanon · Syria · Ukraine
      Poland · Canada · Australia
      Turkey · Greece · Cyprus
      Subgroups
      Hamshenis · Cherkesogai · Armeno-Tats · Lom people
      Religion
      Armenian Apostolic · Armenian Catholic
      Evangelical · Brotherhood ·
      Languages and dialects
      Armenian: Eastern · Western
      Persecution
      Genocide · Hamidian massacres
      Adana massacre · Anti-Armenianism
      Bandeau Arménie.png
      Armenia Portal
      Traditional Armenian Dance

      The Armenian dance (Armenian: Հայկական Պար) heritage has been one of the oldest, richest and most varied in the Near East. From the fifth to the third millennia B.C., in the higher regions of Armenia, the land of Ararat, there are rock paintings of scenes of country dancing. These dances were probably accompanied by certain kinds of songs or musical instruments. In the fifth century Moses of Khoren (Movsés Khorenats'i) himself had heard of how the old descendants of Aram (that is Armenians) make mention of these things (epic tales) in the ballads for the lyre and their songs and dances.

      Traditional Armenian Dance

      Traditional dancing is still popular among expatriate Armenians, and has also been very successfully `exported' to international folk dance groups and circle dance groups all over the world. The majority of people feel something special in Armenian dances, and in the passion, subtlety, and eloquence which they embody. All dancers wear the traditional costume to embody the history of their culture and bring their ancestors stories alive. The design of these costumes are influenced by many factors, such as religious traditions, family methods, and practicality. The traditional deep red color and exquisite beading of the costumes brings the dance and the tradition together. The beautiful movements of the Armenian cultural dance are adored by all audience around the world. [1]

      Religious dancing

      The origin of religious dancing is ancient, an expression of the inner feelings of the worshipers. It is of interest to note that dance never occurred alone, but was always accompanied with song, clapping of hands, and musical instruments. As with music, so too the dance expressed a person’s internal spiritual emotions and personal disposition. By its very movements dance is able to bring out and make known a person’s grief and joy.[2]

      ↑Jump back a section

      Folk dances

      • Kochari (Քոչարի)- Kochari is one of the most popular dances of Armenians. Kochari is danced in a group of men and women and is known for its tune played in the zurna.
      • Shalakho(Շալախո)- A dance for men from Ancient Armenia. It is preformed in dance studios by men, but danced at public gatherings by women as well.
      • Tamzara (Թամզարա)
      • Yarkhushta (Յարխուշտա)- Yarkhushta is a war dance from the Taron region of Western Armenia .
      • Berd (Բերդապար) - Berd is a dance famous for having a circle of men stand on the shoulders of another circle and rotate. Berd means "fortress" in Armenian and is named accordingly because of the shape the dancers make.
      • Shirkhani (Շիրխանի)
      • Harsnapar (Հարսնապար)- Harsnapar comes from the Armenian hars which means bride, and par which translates to dance. The bride is shown dancing a solo and may possibly feature the bridesmaids.
      • Gorani (Գորանի)
      • Gyond (Գյոնդ or Գյովնդ)
      • Menapar (Մենապար)- Menapar translates to "solo." It may feature a man or woman. Normally, if a man is the one dancing, the music will be fast-paced and in the case of a woman, a slower, more elegant music will play.
      • Nazpar (Նազպար)
      • Shurjpar (Շուրջպար)
      • Souserapar (Սուսերապար)
      • Papuri (Փափուռի)
      • Zuykpar (Զույգապար)- Zuykpar is a duet done by a man and woman. It features a liveliness to it and normally includes both dancers doing symmetrical movements.

      Regional dances

      • Arabkir (Արաբկիրի Պար)- A dance from the Armenian city of Arabkir.
      • Kesabian (Քեսապական)- The Kesabian dance came from the city of Kesab, Syria.
      • Laz bar - originated among the fishermen of the Black Sea
      • Moosh (or Muş, or Mush)(Մշո Պար)- is a mixed dance from the district of Moosh/Daron, west of Lake Van Mush.
      • Sasnapar (Սասնապար)- Sasnapar is a more popular dance commo at weddings and other cultural gatherings. It originated in the city of Sasun.
      • Vagharshapatian (Վաղարշապատյան)- The Vagharshapatian originated in Vagharshapat now know as Ejmiatsin.
      • Zeytouni (Զեյթունի պար)- Zeytouni originated in Zeytun.
      ↑Jump back a section

      Notes

      1. ^ Gary Lind-Sinanian - ALMA
      2. ^ "The Shepherd and His Flock"—By Rev. Zenob Nalbandian
      3. ^ Младенова Т.В. (2010 №177). "Музыкально-исторический процесс в Крыму конца ХIХ начала ХХ столетия". Научный журнал «Культура народов Причерноморья». Retrieved 2012-12-25.  [1]
      4. ^ Николай Иосифович Эльяш Балет народов СССР. — Знание, 1977. — p. 59. — 166 pp.
      ↑Jump back a section

      External links


      ↑Jump back a section

      Read in another language

      This page is available in 1 language

      Last modified on 26 May 2013, at 14:39